The Vertical Times

No. 1 · Week of November 5, 2026 · The October roundup

AI took over the slate as TV went vertical

Plus who hired in October and the jobs open now.

A startled old network chief in a leather armchair holds up a phone playing a romance while his laughing young executives lean in, a row of vintage TV sets behind them

We tracked 387 vertical drama stories in October. Here are the ones that matter, plus who hired, from the studio career pages we watch every day.

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Who hired in October

A line of hopeful crew with a camera, headphones, a script, a sketchbook and a tape measure watches a studio boss pin a new card to a crowded job board

We added 429 jobs from 33 companies in October. Of those, 122 were creative and content roles: writers, producers, editors, AI artists, directors and the people who run content. The rest were tech, sales and ops jobs at the same companies.

One studio posted 39 of the 122 on its own, and 23 of those had "AI" in the title, from AI writers to AI directors. The next seven studios posted 5 to 8 each. Across everyone, 44 of the 122, more than a third, had "AI" in the title. Pro members see which studios are hiring.

By role, we counted 25 writing jobs, 19 producing jobs, 18 editing and post jobs and 18 AI artist and AI filmmaker jobs. Only 15 of the 122 listed pay.

Readers clicked apply 291 times in October, and 193 of those clicks went to writing jobs. The most-clicked was a remote Writer role at TrueShort, with 73 clicks, and it's still open.

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Another 94 creative jobs are in their first 30 days, when only Pro members see the company and can apply. A few of them:

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TV networks moved in

Channel 4 made its first microdrama, The Guest List, a five-part series with beauty brand Sol de Janeiro starring Jadesola Odunjo from Netflix's You (Deadline, Oct 13).

Bravo ordered its first scripted microdrama. Charmed by a Southern Monster stars Southern Charm's Craig Conover and Nicole Mattox and premieres November 9 on the Peacock app (Deadline, Oct 23).

BET premiered its first microseries, the thriller Her Baby, on linear TV on October 7. It will be recut as a microdrama for aTwist later (TheWrap via IMDb, Sept 22).

A+E Global Media has adapted nearly 200 library titles into vertical microdramas and will license them to other platforms. Lifetime's app adds a new vertical title every two weeks (Variety, Oct 8).

Fox had two deals. Kevin Hart's Hartbeat is launching 25 live-action vertical series on My Drama, and Fox gets a first look at film and TV projects developed from them (Deadline, Oct 13). Fox and Endemol Shine are also making a scripted horror microseries inspired by Fear Factor, 30 three-minute episodes for My Drama (TheWrap, Oct 27).

Sony Pictures Television signed TikTok creator Thea Von Engelbrechten to a first-look deal. Her animated microdrama Hazelwood premieres November 13 on YouTube (Variety via Yahoo, Oct 22).

WWE's first ReelShort movie, Agent of Shadows, came out October 23 with Drew McIntyre, Jacob Fatu and Booker T (Wrestling Headlines, Oct 10).

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Platforms and money

Microdramas passed 6.5 billion views on YouTube in the first half of 2026, and YouTube says 40% of microdrama views came more than 30 days after an episode went up (Social Media Today, Oct 27).

TikTok signed its second big microdrama deal, with Made By Us Studios, for creator-led series on TikTok and its PineDrama app. The first one, with Issa Rae's Hoorae, produced Screen Time, which has nearly 580 million views (The Hollywood Reporter, Oct 14).

PineDrama passed 100 million downloads about nine months after launch. It's free and pays for episodes with ads (BigGo Finance, Oct 12). Owl & Co. data shows PineDrama took more than half of all microdrama views across the top apps outside China in the third quarter (The Hollywood Reporter, Oct 20).

Tencent launched a free short drama service inside WeChat, with ads between episodes (TechNode, Oct 14).

Orange will carry ReelShort in 17 countries across Africa and the Middle East, starting with four markets this year (We Are Tech, Oct 15).

And one app closed. Top Gun: Maverick producer Tommy Harper shut VeYou on November 6, about six months after launch. He'll keep making shows for PineDrama and YouTube, and told Business Insider the play for an independent company is to be "the best supplier to those platforms, not to compete with them for installs" (Business Insider, Oct 26).

AI and the people it affects

On a vintage film set a crew shoots a romance on a phone rig while a retro robot in a director's chair films the same scene, and the leading man eyes it with suspicion

GASP tracked ReelShort's new releases all year. In January none of 16 new dramas were labelled AI made. In September it was 201 of 221 (GASP via The National Law Review, Oct 7). A GASP spokesperson: "What the numbers show is speed."

The audience hasn't fully followed. Owl & Co. found that at ReelShort, live-action titles were more likely than AI titles to stay in the top 10% by views a month after release (The Hollywood Reporter, Oct 20).

ByteDance's Dreamina opened a short drama studio with its own script, image and storyboard models, plus a remake mode that rebuilds an existing drama for a new region (Pandaily, Oct 27).

Neighbours became the flashpoint. Fremantle is recutting old episodes into a microdrama built around Margot Robbie's character, using an AI-assisted editing tool. Fremantle says the tool doesn't create new scenes, faces or voices. Former cast members pushed back, and the actors' union MEAA and the Australian Writers' Guild are involved (The Guardian, Oct 26).

The SAG-AFTRA Verticals Agreement turned one. It covers productions under $300,000, with leads at $250 for an 8-hour day and other performers at $164. SAG-AFTRA's Jessica Johnson says producers were "afraid that working with SAG-AFTRA would slow them down" (TheWrap, Oct 19).

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